After playing, you should dismantle the different parts of the saxophone the mouthpiece and the neck. Use a neck swab to clean the neck. Then, use a cleaning swab, which is chamois leather or silk with foam, for the body of the sax. As for the mouthpiece and reed, wash these in warm running water and rub a mouthpiece brush in the mouthpiece. Observe how long you can be consistent with the rhythm and can hold the note steady. Of course, always tune before playing and practice a lot of times. As the saying goes, practice makes perfect. Don t forget to clean every after playing. Put a swab through your piccolo and tuning rod to remove spit and use a cloth to polish it. Accordions in classical music Its popularity has considerably grown wider among classical musicians even if it is used as a folk instrument. The oldest surviving piece is the one written by Miss Louise Reisner in 1836. The chromatic accordion was first specifically recognized in the composition of by Paul Hindemith. Other than that, the materials and construction of the two instruments were also different so this theory is not likely to be true. Parts The many parts of the sitar are the kuntis or tuning pegs, drone strings, tumba or gourd, baj tar or playing string, tarafdar or sympathetic strings, dandi or neck, parda or frets, gulu or cowl, ghoraj or bridge, tuning beads, tabkandi or face plate, and kaddu or resonator. Snare Drum The snare drum is a member of the percussion family which means that it is played by being struck. It has strands of snares that are curled metal wires, plastic cables, gut chords, or metal cables extended across the bottom of the drum. It is cylindrical with skin stretched out at its top. Castanets The castanets, also referred to as palillos, are probably the most sophisticated percussion instruments. It is used in Portuguese, Italian, Moorish, Spanish, Latin American, and Ottoman music. It is generally a pair of concave shells connected at an edge by a string. These are hand-held and produce clicking or rattling sounds used for rhythmic accents.