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WSS16 Professional Salsa Cabaret World Champions Ricardo Vega & Karen Forcano

For other movies the ballroom dancing is the basis of the story as in Shall We Dance, a Richard Gere, Jennifer Lopez film about a family man who signs up for ballroom dance lessons in the hope of meeting the beautiful woman he has seen through the window of the dance studio on his commute home each night. The Fox Trot can be danced to most any music regardless of whether it is slow or fast. In the 1920's the Fox Trot was embraced by America's youth. They loved this ballroom dance, which started out as a bouncy trot-like step that had been incorporated into the vaudeville act of Harry Fox. The Fox Trot has become one of the most loved ballroom dances to date. The rise in popularity of the Viennese Waltz, like the standard waltz, can at least in part be contributed to the music of Johann Strauss and toVienna's famous ballrooms. As with the standard waltz the music can be either vocal or instrumental and can be classical, country, or even rock. The Viennese Waltz is a faster paced dance than the standard waltz which also makes it somewhat more challenging to do. Several American styles also are adorned with feathers, but are not the essential accent of the ballroom dress. Most international ballroom gowns are designed for appearance from one angle - either they look appealing from the front or back, but not usually both. You're most likely to find that American ballroom dresses are accented with sequins or jewels, and come in a variety of lengths. Monsieur Pierre Lavelle, a London dance teacher, and his partner Doris Lavelle were responsible for bringing and popularizing the Rumba and other Latin American dances to Europe. In 1955 with the help of Pierre and Lavelle the Cuban Rumba was finally named as the officially recognized version of the Rumba. This would also explain the counter clockwise movement around the dance floor as the man would've stood on the inside of the circle so he wouldn't inadvertently hit any of the people watching the dancers with his sword as he danced past. In Latin American ballroom the postures vary from dance to dance with some using the closed hold and others where the partners hold each other with only one hand. 

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