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The Oriental Vs. Contemporary Bedroom Design Theory.

by: Shrinivas Vaidya

Dear friends,

If you have read any interior design books/articles, visited
a few websites on the internet, you will find the word theme used
quite often.

What exactly is a theme-based design?

A theme according to me is a collection of various parameters of
design of an interior space. So a theme may include a certain set
colors, materials, repetition of a certain element, such as
a decorative item, etc...

Primarily there are two basic themes under which a design can
be categorized, 1)Oriental 2)Contemporary.

Oriental Bedroom Design Theme:

These kind of themes have a still drilled down niche design
themes, such as country, rustic, vintage, elegant, etc...
One of the major thing about these kind of themes is that much
emphasis is given on the natural beauty of any material.
These designs are close to nature or are shown to be close to
nature.

These kind of design styles are very rarely found in the urban
city interiors. Mostly the countryside homes adopt these kind if
themes, to replicate the flora and fauna of the outside environment.

The designer tries to include the patters seen in nature, such as
leaves, flowers, plants. All these natural patterns are seen on
wallpaper patterns, decorative lamps, curtains, furniture
upholstery, wall paintings, etc...

Homes which are build on country side such as farm houses, the scarcity
of space is not an issue, but this creates another problem as far as
designing interiors is concerned.

A bedroom, no matter of what size it is, requires some basic
furniture elements as functional needs, such as a double bed,
dressing table, wardrobes, study tables, a book shelf etc..

It is sometimes possible that because of the large spaces, the
bedroom looks empty after the furniture is arranged. At such
times "decoration" plays a major role. During ancient years
the palaces and castles had such large built spaces, where
extensive use of decoration was used in the form of paintings,
heavy decorative flooring patterns, carvings, moldings as a
decorative architectural elements.

So in this oriental design trend, decoration of the space using
various accessories plays a major role.

Contemporary design Theme:

These kind of design themes are very new as compared to the
previously mentioned oriental design theme. But how did the
designers came along using these kind of designs?

During the starting years of the 20th century, the "Industrial
Revolution" in Europe changed the face of our planet. It
was easy to design and manufacture goods on a mass scale
with amazing speed and efficiency.

This created a flood of industries in and around the cities.
These cities attracted large amount of people to migrate from
rural areas to city centers in search of a living.

Because of this migratory effect there was a sudden need of
housing requirement for the workers. This is where the concept of
an "apartment" was introduced. Because of the pressure of demand,
a school of thoughts emerged within the architects, who
believed that "simplicity" is the need of today's era.

They thought that, the design of the building has to be simple
and easy to build, then only we can compete with the growing
demand of housing needs in cities. That's why simple designs with mostly plane and square faces with square or rectangular openings
were used. These forms and masses were easy to build and still
beautiful. If everything from "safety pins" to "space ships"
could be built on a mass scale, why not "buildings".

The school of thought believed that a plane rectangular form
is in itself beautiful and they proved this using infinite
permutations and combinations of the basic square form. That's
why decoration was given a second preference. Today we call this
school of thought as "contemporary". In contemporary design
every element has an order.

That's why in today's modern interior design, simplicity is the
key to an efficient design. Unlike the previous oriental design
theme, the contemporary design theme states that any kind of
architectural decoration is always dependent on the basic form
of the building. The form itself is so beautiful, that the need
to further decorate it is not required. Today's modern interiors
spaces are simple to understand, simple to construct, and
project a kind of simplicity.

By reading the above paragraphs some of you might say that,
decoration is no more needed. But this is not true. I am not trying
to force some ideas here. But most people confuse the whole
concept of "Interior Design" and "Interior Decoration". Both
are quite different and both have a unique value in today's
complex society.

Decoration was something the primitive man learned, looking at
the nature around him. He saw plants, flowers, birds, animals
and tried to copy these elements. We still use "embroidery" on
our dresses. But the modern design theory says that any sort
of decoration can only "enhance" the existing form, but can not
be an element of design.

What does this mean?

In the above said example the "embroidery" pattern can certainly
add to the beauty of the cloth, but the modern theory denies to
accept the cloth to be of a cheap quality. It states that every form, texture, material, shape is in itself beautiful and must be
accepted as it is. Because of this the need to further decorate it
does not arise.

Thus decoration whether used in architecture or elsewhere is always
dependant on the form on which it is used, but design is
an independent entity which does not need any justification from the
external factors.

The two design themes mentioned above are still widely used today.
The user must look upon them from a point of view of what best suits
his/her likes and dislikes. Only then can you give yourself and
your family the best quality of living.

I hope this article was informative to everyone.

Copyright Shrinivas Vaidya

About the author:
Shrinivas Vaidya is the webmaster of Bedroom-Design-And-Decorating-Ideas.com .Visit TODAY to get an in-depth knowledge of master bedrooms, teen bedrooms and child bedrooms.

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Principles of Interior Design
by: Kathy Iven

Whether you are working with existing furnishings and fabrics or �starting from scratch� with an empty room, you should always use the elements and principles of design as a guide in choosing everything. The elements are your tools or raw materials, much like paints are the basics to a painter. The elements of design include space, line, form, color, and texture. The principles of design relate to how you use these elements. The principles of design are balance, emphasis, rhythm, proportion and scale, and harmony and unity.

Principle #1: Balance

Visual equilibrium in a room is called balance. It gives a sense of repose and a feeling of completion. A well-balanced room gives careful consideration to the placement of objects according to their visual weight. The elements of line, form, color and texture all help determine an object�s visual weight, which is the amount of space it appears to occupy. Balance also refers to how and where you place the elements (line, form, color and texture) within a room. To maintain balance, try to distribute the elements throughout the room.

� Formal balance, often referred to as symmetrical balance, creates a mirror image effect.

� Informal balance uses different objects of the same visual weight to create equilibrium in a room. It is more subtle and spontaneous and gives a warmer, more casual feeling.

Principle #2: Emphasis

Emphasis is the focal point of the room. The focal point should be obvious as you enter the room; it is the area to which your eye is attracted. Whatever is featured, as the center of interest �a fireplace, artwork or a window treatment framing a beautiful view � must be sufficiently emphasized so that everything else leads the eye toward the featured area. You can add emphasis to a natural focal point or create one in a room through effective use of line, form, color and texture.

Principle #3: Rhythm

Rhythm supplies the discipline that controls the eye as is moves around a room. Rhythm helps the eye to move easily from one object to another and creates a harmony that tells the eye everything in the room belongs to a unified whole. Rhythm is created through repetition of line, form, color or texture. It can also be created through progression. Progressive rhythm is a gradual increasing or decreasing in size, direction or color.

Principle #4: Proportion and Scale

Size relationships in a room are defined by proportion and scale. Proportion refers to how the elements within an object relate to the object as a whole. Scale relates to the size of an object when compared with the size of the space in which it is located.

Principle #5: Harmony and Unity

A well-designed room is a unified whole that encompasses all the other elements and principles of design. Unity assures a sense of order. There is a consistency of sizes and shapes, a harmony of color and pattern. The ultimate goal of decorating is to create a room with unity and harmony and a sense of rhythm. Repeating the elements, balancing them throughout the room, and then adding a little variety so that the room has its own sense of personality accomplishes this. Too much unity can be boring; too much variety can cause a restless feeling. Juggling the elements and principles to get just the right mix is a key to good design.

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