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Writing Nonfiction
by: Roy E. Klienwachter

All of us are authors, and all of us have a book already written within us that needs to come out.

I believe that fiction is the easiest to write because none of what you write can, or needs to be verified and you are only limited by your imagination. On the other hand nonfiction requires verification of facts and the book usually has references to the material that you have used. These facts can come from the documentation of others or your own. But the material is usually taken as truth or fact and supported by the documents you have used.

Then there is the Grey area that I write about… Philosophy! Philosophy always appears as truth and it is always controversial because in truth, truth is an illusion. My truth is not yours, and yours is not someone else's. Philosophy can always be argued from one's point of view and it is nonfiction from that observation. From the position of the other it may be fantasy or imagination.

In truth, philosophically speaking, fiction and nonfiction are the same, as both come from the imagination and are subject to one's interpretation and the ability to manifest one's thoughts into physical symbols that are observable by others.

The wonderful thing about fiction is that the events become probabilities in physical form at some level of consciousness and are nonfiction. If I think of a lying under a palm tree on a white sandy beach on a tropical ocean one early sunny morning, that thought becomes your thought and the probability exists that either one of us can experience it. It becomes a probability and only then needs to be experienced. All thoughts are the beginnings of any probability whether it is a sandy beach or Aliens attacking the earth.

The distinction between fiction and nonfiction is determined by our ability to allow our imaginations to accept them.

The Bible and other Holy texts are considered to be nonfiction, and yet they are the texts that are the least likely to be verified. The pages in these texts where written by many different authors, sometimes hundreds of years after the facts, if they did in fact occur, and the stories were selected for inclusion by people and organizations with an agenda. Many of the stories in the Bible were created to demonstrate aspects of morality and social behavior. Many stories have been left out deliberately.

We generally accept these books as historical facts because we were told to, even though critical thinking and reason suggests otherwise. Facts, truth and imagination have been blended into foggy images that transcend humanities ability to distinguish the difference, fueled by fear and ignorance. What is fiction, what is not?

We look to an imaginary future and go back into the past to create it. Or we go back into the past to create a future book. The book the waits within you, is the future waiting to be created, it is already present in the moment and although it is nonfiction, it will be judged by others in the future as either.

Humanity has agreed at some level of consciousness to accept things as truth, or "nonfiction," if it is within the realm of possibility or if there is a strong human desire, want or need to believe it.

We as a people had a strong desire to fly to the moon and have done it, (maybe). We as a people have strong desires to create new technology and we do it, and we believe in technology because we can see it working. These areas are not that Grey, because we want to believe. Predictions that we have made hundreds or thousands of years ago are now observable in our experience and easy to accept. Most believe that technology can achieve anything, from creating a sailing ship that moves past the abyss waiting at the edge of the earth, to the space ship that flies through it.

It is the same imagination that creates physical objects or technology, which creates philosophy about who and what we are.

There is a strong desire within humanity, or need to believe and accept that there is more to us than what we can see, taste, smell, feel or hear. We have moved away from our ability to experience the soul and the mind as other parts of ourselves. We consider these aspects of self as fictional or beyond reach and best left to the imagination of philosophers, priests and other self appointed experts. Most of us experience these aspects only when we read about them or attend presentations or Sunday services, as they are brought to our attention.

As one moves away from the philosophy of others and accepts their own truth as real and valid, then we are better able to accept all experiences, philosophies, and truths as truth. All probabilities and possibilities are valid and experienced at some level of consciousness. All fiction is nonfiction in the greater truth, and they are simply human or physical conventions.

I write my Nonfiction, Fictional articles early Sunday morning before I go for breakfast. In the course of the two hours that it takes me to write a 1600 word article like this, I have my shower, get dressed, wash the dishes, take out the garbage and several other chores.

I do not give any thought to what I write about, and it just flows out of me naturally. When I sit down to the keyboard and monitor, my mind is blank and the harder I try to write something, the less the results. Most often I do not know what I am going to write about before I start. I close my eyes for a few moments and try not to think about anything.

I accepted long ago that what I have to say or write about is valid, it has purpose and meaning. No matter how far fetched the words or thought, I try not to interfere and just let it come out. The fear of being crazy, stupid or uninformed left me long ago once I allowed the words to come out. This article is philosophical (nonfiction) but it comes from a fictional thought process that I used to think was mine, it is not!

I encourage all those that come to me for guidance to just sit down and let it all out, no matter how outrageous, how unintelligent or gifted it may seem. No one has to read it, it doesn't have to be published, and you can tear it up when you are finished. By sitting down and starting to write, you will develop a process that works for you, you will be totally amazed at what you have locked inside. When I do read some of my stuff, I wonder, "Wow," was that me, that's not bad! Did I write that?

If you have visited my web site at klienwachter.com and read my articles you will remember that I have said many times I write for myself first and that is my truth. I do not have a need for others to read my words. I have however come to terms with my ego that wishes to be recognized as an author. I speak from the spiritual part of myself that is not physical and I agreed with my ego to allow it the freedom to publish and print these articles. We have made peace and the ego understands that recognition my not come and that it is a probability that may or may not be experienced. On this we agree.

Spirit makes itself known or physically experienced through the words that are recorded for the benefit of the ego.

You have something to say, and your thoughts need to be expressed in the physical world and it is done in an infinite number of ways. Writing is just one way. But do not back down because you believe your writing is not valid or important. Also realize that it may not be accepted by others and know that it doesn't really matter.

Write for yourself first and set your imagination free. Nonfiction is fiction finding expression and recognition in the physical world. It has no meaning except for the meaning given it by those who read the words.

About The Author

Roy E. Klienwachter is a resident of British Columbia, Canada. A student of NLP, ordained minister, New Age Light Worker and Teacher. Roy has written and published seven ebooks on New Age wisdom. Roy's books and articles are thought provoking and designed to empower you to take responsibility for your life and what you create. His books and articles are written in the simplicity and eloquence of Zen wisdom.

You may not always agree with what he has to say. You will always come away with a new perspective and your thinking will never be the same.

Roy's style is honest and comes straight from the heart without all the metaphorical mumble jumble and BS.

Authors and Publishers visit our new article Directory at http://www.klienwachter.com/adarticles

Visit Roy at: http://www.klienwachter.com

This article was posted on December 09, 2005

 



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Creative Writing Tips - Have You Established Your Main Character At The Start?
 by: Nick Vernon

In the beginning of your story you have to grab your readers’ interest and sustain it till the end. Our hook is our character. Readers keep on reading to find out more about the character. To see what he’ll do in the story; how he’ll solve his problems. What his goals are and whether he’ll achieve them.

And because our character is the reason readers become hooked on our stories, establishing him at the start is a must in a short story. And it is essential to establish him at the start because we don’t have the capacity in our limited word length to introduce him at our leisure.

The bond between readers and character has to be developed almost immediately.

You might have a few characters though. How do you decide who your main character will be? A main character is one that drives the story.

Think of it this way… If we were to take him away, there will be no story because it’s his story we are telling. The story will unfold by what is happening or what has happened to him.

When you establish who your main character will be, the next thing to do is to find which of your characters is in the best position to tell the story. Will your main character tell his story or will you give that role to another character?

This is what we call Viewpoint and what we’ll see in more detail in proceeding chapters.

Your main character isn’t necessarily the one who is telling the story; he might not even appear in our story ‘physically’ but will be there through the thoughts of others. So the viewpoint character might be a secondary character.

Whoever is telling the story is the viewpoint character.

The viewpoint character gives the coloring of the story. Whatever this characters says, we will believe. It may or may not be true, according to the main character, but because he isn’t there ‘physically’ to voice his opinions, we will have to take the viewpoint character’s word for it.

In a novel you can play around with viewpoint. You can have several viewpoint characters. In a short story it works best with one.

So your main character, whether he’ll be telling his own story or someone else will be doing it for him, has to be established at the start of your story.

Having said that, let’s see the reasons why the main character may not be telling his own story...

  • Perhaps our main character is one that readers won’t sympathize or empathize with.
  • Or the main character will not view highly with our readers
  • Or the viewpoint character knows all the facts and can tell the story better
  • Etc.

~~~~~~~~~~~~~

Let me give you an example of a secondary character telling the story of a main character…

Let’s say your secondary character is a psychiatrist and the main character is the patient. Depending on what’s going to go on in the story, we’ll have to choose who’s in a better position to tell it. In this case, I will choose the psychiatrist.

I’ve done this because the patient is confused, being the one with the problems. The psychiatrist knows all the facts and his opinions will make things clearer to readers.

So, as the secondary character (the psychiatrist) unravels the story, we’ll become involved in the main character because it’s the main character’s story that is been told.

This may get a little confusing to the beginner writer. As they write they will have to keep in mind that the secondary character, although he’s telling the story, is NOT our main character.

The secondary character is there to do perform a task. He’s only the voice. It’s the main character we’ll become involved with.

A secondary character doesn’t play such an important role as a main character does. Therefore, information about secondary characters should be kept to a minimum. It’s not his story – it’s the main character’s story and the spotlight must, most times, be kept on the main character.

Take the above example for instance. It’s no relevance to the story how the psychiatrist started his career or where he received his diploma – what’s important, is what he has to say about the main character, his patient.

~~~~~~~~~~~~~~

Introduce your main character straight away, as close to the beginning of the story that’s possible. Enable your readers to form a bond and that will keep them hooked.

Is your main character established at the start of your story?



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