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***Writing Is Fun!***
by: Michael Harrison

When I was establishing my consultants practice in 1990 I set about creating a book. The book was aimed at helping people to progress in their careers and shows how to assess yourself, prepare an interview winning resume’, market yourself and win the job at interviews, plus other real life tips.

Anyway I enjoyed the writing process, thought the book was good and sold a few copies. The effort of writing the book was not rewarded by the number of copies sold. I did not really have a low cost route to market.

In building my web site and writing a weekly newsletter I have realised that I do enjoy writing and drawing on my experiences. So recently I have been thinking of writing another book for sale on the internet.

Guess what? I got my original book out, re-read it and I am editing it as my next internet publication. The point of this article is to tell you what I realised when I read my ‘masterpiece’.

I had been living in the corporate world and the book was written in corporate style. Formal, the grammar was convoluted, too many long words. It was not easy to read and I did not like the style. The content is excellent but I did not like how the book was written.

Bearing in mind when I originally wrote it 15 years ago I read and re-read it in an effort to do a good job. That I now do not like the writing style came as a shock. Which shows that our skills and perceptions are changing all of the time and no matter how good we think we are at any one thing we can always do better.

If you’ve got anything that you created a while back it may be worth having another look at it. Your style may have changed and you may be able to improve it.

My son writes for his living and he has experienced the same with some of his early writing.

By writing for the web my style has changed, hopefully to a more readable form because I still like writing.

Tip: learn from the mistakes of others, you can’t live long enough to make them all yourself.

About The Author

Michael Harrison is an author, publisher and business consultant specialising in helping business owners and individuals to realise and release the full potential of their situation. He has helped many people to improve their business situations and advised and supported individuals to embark on new directions in their careers.

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Subscribe today to receive the very next issue of ‘byobe Bulletin’ – Do you get it?

This article was posted on November 30, 2005

 



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Creative Writing

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Creative Writing Tips - Have You Established Your Main Character At The Start?
 by: Nick Vernon

In the beginning of your story you have to grab your readers’ interest and sustain it till the end. Our hook is our character. Readers keep on reading to find out more about the character. To see what he’ll do in the story; how he’ll solve his problems. What his goals are and whether he’ll achieve them.

And because our character is the reason readers become hooked on our stories, establishing him at the start is a must in a short story. And it is essential to establish him at the start because we don’t have the capacity in our limited word length to introduce him at our leisure.

The bond between readers and character has to be developed almost immediately.

You might have a few characters though. How do you decide who your main character will be? A main character is one that drives the story.

Think of it this way… If we were to take him away, there will be no story because it’s his story we are telling. The story will unfold by what is happening or what has happened to him.

When you establish who your main character will be, the next thing to do is to find which of your characters is in the best position to tell the story. Will your main character tell his story or will you give that role to another character?

This is what we call Viewpoint and what we’ll see in more detail in proceeding chapters.

Your main character isn’t necessarily the one who is telling the story; he might not even appear in our story ‘physically’ but will be there through the thoughts of others. So the viewpoint character might be a secondary character.

Whoever is telling the story is the viewpoint character.

The viewpoint character gives the coloring of the story. Whatever this characters says, we will believe. It may or may not be true, according to the main character, but because he isn’t there ‘physically’ to voice his opinions, we will have to take the viewpoint character’s word for it.

In a novel you can play around with viewpoint. You can have several viewpoint characters. In a short story it works best with one.

So your main character, whether he’ll be telling his own story or someone else will be doing it for him, has to be established at the start of your story.

Having said that, let’s see the reasons why the main character may not be telling his own story...

  • Perhaps our main character is one that readers won’t sympathize or empathize with.
  • Or the main character will not view highly with our readers
  • Or the viewpoint character knows all the facts and can tell the story better
  • Etc.

~~~~~~~~~~~~~

Let me give you an example of a secondary character telling the story of a main character…

Let’s say your secondary character is a psychiatrist and the main character is the patient. Depending on what’s going to go on in the story, we’ll have to choose who’s in a better position to tell it. In this case, I will choose the psychiatrist.

I’ve done this because the patient is confused, being the one with the problems. The psychiatrist knows all the facts and his opinions will make things clearer to readers.

So, as the secondary character (the psychiatrist) unravels the story, we’ll become involved in the main character because it’s the main character’s story that is been told.

This may get a little confusing to the beginner writer. As they write they will have to keep in mind that the secondary character, although he’s telling the story, is NOT our main character.

The secondary character is there to do perform a task. He’s only the voice. It’s the main character we’ll become involved with.

A secondary character doesn’t play such an important role as a main character does. Therefore, information about secondary characters should be kept to a minimum. It’s not his story – it’s the main character’s story and the spotlight must, most times, be kept on the main character.

Take the above example for instance. It’s no relevance to the story how the psychiatrist started his career or where he received his diploma – what’s important, is what he has to say about the main character, his patient.

~~~~~~~~~~~~~~

Introduce your main character straight away, as close to the beginning of the story that’s possible. Enable your readers to form a bond and that will keep them hooked.

Is your main character established at the start of your story?



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