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Top 10 Tips to Complete a Creative Writing Project Without Losing Your Creativity
by: Ginger Blanchette

Have you ever started a creative writing project with great excitement, only to have your interest dwindle as the process, itself, interfere with your creativity? How do you keep the momentum going and continue to enjoy the creative process? Follow these tips for high creativity, fun and success!

1. Create a writing environment that inspires you.

Create a place in your home or outdoors that calls you to write. Consider light, color, sound, scent, taste, writing materials.

2. Follow The Artist’s Way, by Julia Cameron.

I highly recommend this book. It keeps you focused, observant, playful, and creative - and it keeps you believing in yourself as a writer!

3. Choose your writing project in a joyful way.

When choosing a writing project, come from your heart - not your head. Be playful. Be creative about how you choose your project.

4. Make a creative representation of the project’s ideal end.

Draw, paint - use a creative medium other than writing to represent the completed project. Consider, especially, how you will feel when it’s done. Put your model in a prominent place. Use this to trigger the desired feeling, before the completion - every day!

5. Make a timeline with celebration points.

Make it visually appealing. Have a step-by-step outline and celebrate creatively as you complete each step.

6. Create an R&D Team for your project.

Contact a number of your friends, colleagues, and readers. Invite them to join your R&D Team. Send them snippets of what you write, questions you have about the process, or anything else you want input on - on a regular basis. Their input will keep you going.

7. Keep Creating & Editing times separate.

If you edit while you write, the process can become boring. Clearly block a specific amount of time for editing into your schedule. Don’t let it interfere with your creative writing time!

8. If blocked, shake things up!

Do something fun, unusual, active! Get your mind somewhere else and move your body. Your creative side will work in your subconscious while you’re at play. Read the tips in The Artist’s Way. There are also many resources on the internet for handling writers’ block. Check some of these links: http://owl.english.purdue.edu/handouts/general/gl_block.html

http://www.sff.net/people/LisaRC/

http://leo.stcloudstate.edu/acadwrite/block.html

9. Have a Fan Club.

Critics and editors are fine, but have a few friends or family members who you can ask to cheer you on or cheer you up, no matter what you write. Hire a Creativity Coach to keep you focused and to be an unbiased supporter of your creative success!

10. Celebrate in a big way!

When you reach the big finish, give it a big finish! Do something you’ve always wanted to do, but have never done before. Make the finish so memorable that you’ll be eager to begin your next creative writing project!

About The Author

Ginger Blanchette is a Life and Business Coach who supports her clients to share their creativity. She works with professionals and business people who are ready to complete big projects involving writing and/or public speaking and to be recognized for what they do! Contact her at www.lanterncoach.com or by email to ginger@lanterncoach.com for a free sample coaching session.

This article was posted on March 22, 2004

 



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Creative Writing Tips - Have You Established Your Main Character At The Start?
 by: Nick Vernon

In the beginning of your story you have to grab your readers’ interest and sustain it till the end. Our hook is our character. Readers keep on reading to find out more about the character. To see what he’ll do in the story; how he’ll solve his problems. What his goals are and whether he’ll achieve them.

And because our character is the reason readers become hooked on our stories, establishing him at the start is a must in a short story. And it is essential to establish him at the start because we don’t have the capacity in our limited word length to introduce him at our leisure.

The bond between readers and character has to be developed almost immediately.

You might have a few characters though. How do you decide who your main character will be? A main character is one that drives the story.

Think of it this way… If we were to take him away, there will be no story because it’s his story we are telling. The story will unfold by what is happening or what has happened to him.

When you establish who your main character will be, the next thing to do is to find which of your characters is in the best position to tell the story. Will your main character tell his story or will you give that role to another character?

This is what we call Viewpoint and what we’ll see in more detail in proceeding chapters.

Your main character isn’t necessarily the one who is telling the story; he might not even appear in our story ‘physically’ but will be there through the thoughts of others. So the viewpoint character might be a secondary character.

Whoever is telling the story is the viewpoint character.

The viewpoint character gives the coloring of the story. Whatever this characters says, we will believe. It may or may not be true, according to the main character, but because he isn’t there ‘physically’ to voice his opinions, we will have to take the viewpoint character’s word for it.

In a novel you can play around with viewpoint. You can have several viewpoint characters. In a short story it works best with one.

So your main character, whether he’ll be telling his own story or someone else will be doing it for him, has to be established at the start of your story.

Having said that, let’s see the reasons why the main character may not be telling his own story...

  • Perhaps our main character is one that readers won’t sympathize or empathize with.
  • Or the main character will not view highly with our readers
  • Or the viewpoint character knows all the facts and can tell the story better
  • Etc.

~~~~~~~~~~~~~

Let me give you an example of a secondary character telling the story of a main character…

Let’s say your secondary character is a psychiatrist and the main character is the patient. Depending on what’s going to go on in the story, we’ll have to choose who’s in a better position to tell it. In this case, I will choose the psychiatrist.

I’ve done this because the patient is confused, being the one with the problems. The psychiatrist knows all the facts and his opinions will make things clearer to readers.

So, as the secondary character (the psychiatrist) unravels the story, we’ll become involved in the main character because it’s the main character’s story that is been told.

This may get a little confusing to the beginner writer. As they write they will have to keep in mind that the secondary character, although he’s telling the story, is NOT our main character.

The secondary character is there to do perform a task. He’s only the voice. It’s the main character we’ll become involved with.

A secondary character doesn’t play such an important role as a main character does. Therefore, information about secondary characters should be kept to a minimum. It’s not his story – it’s the main character’s story and the spotlight must, most times, be kept on the main character.

Take the above example for instance. It’s no relevance to the story how the psychiatrist started his career or where he received his diploma – what’s important, is what he has to say about the main character, his patient.

~~~~~~~~~~~~~~

Introduce your main character straight away, as close to the beginning of the story that’s possible. Enable your readers to form a bond and that will keep them hooked.

Is your main character established at the start of your story?



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