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The Biggest Challenge Facing A Poet, Getting Published
by: Rose DesRochers

The best advice that I can give any child or adult who wants to be a poet is to read lots of poetry. Get a feel for poetry. Look at different styles of poetry. I have grown so much in my own writing by reading the work of other poets. Don’t be afraid to accept constructive criticism. Part of being a writer is being able to accept criticism. Everyone who writes poetry is eager to publish a book but why not start out small. Before you send off your poetry for publication ask yourself if you are ready. It might be wise to Join an online poetry community and share your poetry with other poets who will be honest with you and offer some constructive criticism.

Once you are ready to take that plunge the best place to start is poetry magazines and ezines . You might also want to check some publishers that accept poetry for anthologies. You are going to want to purchase a copy of Poet’s Market that is published annually. This is an essential book for poets who are interested in publishing their work. For younger poets some places you might want to check out are Poetry for Kids , Teen Ink and About.com's Creative Writing for Teens.

You are also going to want to reach your market. You are going to want to see just what kind of poetry the magazine publishes as often time’s magazines will receive poetry that is just not right for their magazine. Submission guidelines are on most sites and many magazines will post a sample of poems that can be found in their magazine.

When submitting your poetry to magazines. Always present it in typescript, using a simple 10 or 12 point font like Arial or Times New Roman. Present a cover letter that is professional addressing the magazine editor by their name. Offer the poems for publication in their magazines, be sure to list your other publications if any and thank the editor for considering your work for possible publication. Send them about five of your poems and always include a S.A.E. (Self Addressed Envelope) with your submission. Editors most times do not return your poems but without submitting a S.A.E. your poems won’t even be looked at. Also make sure that you have included enough return postage in your S.A.E.

Example of a cover letter:

Dear (name),

Please consider the enclosed poems for publication in (name of magazine). I have enclosed a self-addressed stamped envelope for your reply. Thank you for your consideration of my work for possible publication. Your very brief bio here and other publications here.)

If you are submitting by email make sure that you follow the guidelines on the website. Most publishers prefer the poem to be submitted as an attachment in word document. If you are unsure of the guidelines it never hurts to email the editor and ask them. You should never submit a poem that has already been published or that you have sent to another magazine to be published. This includes if you have published them on your own homepage. In most cases magazines will consider a poem posted on your website or an open poetry community to be already published. Therefore you will not be able to claim first rights to it and most magazines; newspapers etc will not accept it as submission.

Sandra Soli of byline magazine says if a poem appears on a web page, it is published. If a poem can be accessed via the general internet user, it is published. On the other hand, if the forum is closed to a limited membership and your poem is not available for general viewing, then she would consider that a workshopped item just as in a private critique group. This concerns how easily the piece can be accessed by readers. Most web appearances are open to all and byline magazines considers that to be a publication.

The Pedestal Magazine quotes “The Pedestal Magazine would consider such a piece previously published, in that it has been inserted into the public domain

If you are submitting work that has already appeared in the web for publication, mention in the cover letter the forum(s) where the poems have been posted and let the editor make an informed decision. You really do not want to do anything that jeopardizes your chances of seeing your poem published. Also be sure to keep track of all your submissions. Then prepare yourself also for a long wait. Chicken Soup for the soul states that they receive 100 stories per day and it takes up to three years to develop a book.

Poets should not be discouraged by rejections. Part of being a poet or any kind of writer is preparing yourself for rejection. Trust me I’m an over sensitive person and when I got my first rejection letter I thought it was the end of the world. But I later learned that a rejection letter does not mean that you are by any means a bad poet. A rejection letter should never discourage you from pursuing your craft. Not all poetry will be published but find comfort in knowing that someday somewhere your poem will find its rightful reader. By all means consider me and every other writer who has been rejected on your side. Having your poetry published is only one part of writing. Until it happens and you have that first publication enjoy your writing and join a community and find a few good readers and supporters of your work and be proud that you took the step and sent your poetry off to be considered for publication.

I have a confession of my own I have only had my poetry published in a few newspapers, ezines, and my own book that was published by one of the worse publishers out there but that has not discourage me one bit from working towards fulfilling my dreams or wishing my fellow poets great success. I have had my accomplishments and one of the greatest is seeing that an article such as this one I have just written might help just one of you. Many poets end up self-publishing their own writing and that isn’t a bad rout to go either. To find out about self publishing and pod publishing be sure to read my article Publishing and Promoting of Poetry Anthologies and Chapbooks

Goodluck and have fun writing.

Resource links

http://www.todays-woman.net/link-23.html
http://www.todays-woman.net/link-11.html
http://www.poetry4kids.com/
http://www.teenink.com/
http://kidswriting.about.com/teens/kidswriting/

About The Author

Rose is a published author from Canada Ontario and is also the founder of http://www.todays-woman.net a community for men and women over 18, where writers/poets/columnists meet and exchange ideas, contest, rate and review and help each other succeed in the writing industry. Check out Rose's first poetry book "She is like the wind" and purchase poetry that is sure to be a world of emotion on a canvas that is her soul.

admin@todays-woman.net

This article was posted on April 17, 2005

 



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Creative Writing Tips - Have You Established Your Main Character At The Start?
 by: Nick Vernon

In the beginning of your story you have to grab your readers’ interest and sustain it till the end. Our hook is our character. Readers keep on reading to find out more about the character. To see what he’ll do in the story; how he’ll solve his problems. What his goals are and whether he’ll achieve them.

And because our character is the reason readers become hooked on our stories, establishing him at the start is a must in a short story. And it is essential to establish him at the start because we don’t have the capacity in our limited word length to introduce him at our leisure.

The bond between readers and character has to be developed almost immediately.

You might have a few characters though. How do you decide who your main character will be? A main character is one that drives the story.

Think of it this way… If we were to take him away, there will be no story because it’s his story we are telling. The story will unfold by what is happening or what has happened to him.

When you establish who your main character will be, the next thing to do is to find which of your characters is in the best position to tell the story. Will your main character tell his story or will you give that role to another character?

This is what we call Viewpoint and what we’ll see in more detail in proceeding chapters.

Your main character isn’t necessarily the one who is telling the story; he might not even appear in our story ‘physically’ but will be there through the thoughts of others. So the viewpoint character might be a secondary character.

Whoever is telling the story is the viewpoint character.

The viewpoint character gives the coloring of the story. Whatever this characters says, we will believe. It may or may not be true, according to the main character, but because he isn’t there ‘physically’ to voice his opinions, we will have to take the viewpoint character’s word for it.

In a novel you can play around with viewpoint. You can have several viewpoint characters. In a short story it works best with one.

So your main character, whether he’ll be telling his own story or someone else will be doing it for him, has to be established at the start of your story.

Having said that, let’s see the reasons why the main character may not be telling his own story...

  • Perhaps our main character is one that readers won’t sympathize or empathize with.
  • Or the main character will not view highly with our readers
  • Or the viewpoint character knows all the facts and can tell the story better
  • Etc.

~~~~~~~~~~~~~

Let me give you an example of a secondary character telling the story of a main character…

Let’s say your secondary character is a psychiatrist and the main character is the patient. Depending on what’s going to go on in the story, we’ll have to choose who’s in a better position to tell it. In this case, I will choose the psychiatrist.

I’ve done this because the patient is confused, being the one with the problems. The psychiatrist knows all the facts and his opinions will make things clearer to readers.

So, as the secondary character (the psychiatrist) unravels the story, we’ll become involved in the main character because it’s the main character’s story that is been told.

This may get a little confusing to the beginner writer. As they write they will have to keep in mind that the secondary character, although he’s telling the story, is NOT our main character.

The secondary character is there to do perform a task. He’s only the voice. It’s the main character we’ll become involved with.

A secondary character doesn’t play such an important role as a main character does. Therefore, information about secondary characters should be kept to a minimum. It’s not his story – it’s the main character’s story and the spotlight must, most times, be kept on the main character.

Take the above example for instance. It’s no relevance to the story how the psychiatrist started his career or where he received his diploma – what’s important, is what he has to say about the main character, his patient.

~~~~~~~~~~~~~~

Introduce your main character straight away, as close to the beginning of the story that’s possible. Enable your readers to form a bond and that will keep them hooked.

Is your main character established at the start of your story?



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