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Mission Possible: Get Published with Goals, Guidance and Persistance
by: Stephen Earley Jordan, II

You send me an e-mail. You tell me you’ve written over three hundred poems since you were 16 (in your teenage angst stage). You mention the novel you’ve completed and it’s really good (it really is!!!), and the novel-in-progress. You mention how the International Library of Poetry has published one of your poems. (But, whom haven’t they published?)

However, all your work is stored away, hidden from the public eye on a black little disk.

You have one mission: Getting published.

“How do I get published?” you finally question at the end of the e-mail.

At times, I ask myself the same question.

Is this mission impossible? To many, it seems that way. If you stick with me, I’ll make the publishing process slightly simpler.

On this mission, you’ll need three things: Goals, Guidance, and Persistence.

An unmentioned New York City college (as well as other schools, I’m sure) offered a course on “How to Get Published”. Various bigwigs from major publishing houses in New York City were guest speakers on many occasions.

A writer-friend of mine felt it would be a great opportunity to network and finally understand how to get her works published in magazines, and various books. I was hesitant, and suspicious of the course’s objectives, so I didn’t follow the friend’s lead. I was far from disappointed about my decision. You’ll soon discover why.

Getting published isn’t as hard as you think. But, when you’re a beginning writer getting published seems as difficult as James Bond jet-skiing along the River Thames with five barges heading his way.

As a beginning writer, I feel, the main priority should be getting your name out there in the public’s eye. Understand that, at times, you’ll have to accept the free issues instead of cash payment. Before you consider publishing though, you should reassure yourself a rejection slip won’t lower your self-esteem and cause you to never pick up a pen, or stroke another key at your keyboard. Hey, trust me, rejections happen to everyone! Here are a few suggestions to better your chances of getting published:

  1. Write, Write, Write. This is the obvious one. You need to write all the time. Too many writers say, “I have a novel about . . .” And the novel sounds spectacular. But, when I ask if I can read it, offer suggestions, the writers finally admit, “Oh . . . I haven’t started on it . . . But the title of it is . . .” I despise working with an enthusiastic, talented writer who simply won’t write. Don’t waste your breath! Whatever you do—write your work first, and then speak about it so you won’t look/feel like a fool.

  2. Edit, Edit, Edit. If you feel your work is perfect (or as good as you can make it), keep in mind—nothing is perfect! That’s what editors are for! If you are a college student, ask a professor to read it at his/her leisure. If you’re already in the workforce, ask a well-read co-worker to edit it. Or, since you’ve some extra cash to spare, hire an editor. Many places, like OutStretch Publications, for instance, offer extremely reasonable prices for editing/proofing services.

  3. Share Works with Others. This is when a workshop comes in handy. Students—take a creative writing course. Or, if you’re not in school, give copies to about 5 or 6 acquaintances in advance. Then, schedule a “reading” at your place. Allow the guests to give suggestions and talk about your work as if you’re not there. Remember, all criticism is helpful criticism. Remember to ask questions about the shaky portions of your work.

  4. Websites: Build a website and add your writing to it. Or, even easier, find some of the online places like poetryboard.com, or some of the AOL bulletin boards where writers you don’t know can critique your work, and people like me (who have a publication) may find your work and ask for your approval for publication. (This is a very rare occasion, but it does happen.)

  5. Here’s the TRICK: Mass Mailings! If you happen to see 2, 3, 4, or even 5 publications that don’t mind simultaneous submissions and accepts work similar to what you’ve written, send your work to all of them. Sure, sending out a mass mailing of submissions will guarantee more rejections, but you also better your chances of getting published. Remember, include SASE with each submission or 9 times out of 10 you’ll never hear from the publisher/editor. (Some publishers like you to include your e-mail address nowadays for quicker responses.)

  6. Keeping Track. Keep track of all of your submissions. Be organized. A simple database program is perfect. In the database, list 1) the date you submitted work, 2) the publication and its address, 3) the works you submitted, and 4) the date you receive an acceptance/rejection slip.

If, for some reason you DO get a rejection slip. So what? Just think of it like this: Perhaps the publication wasn’t right for your writing. Better still, everyone has his or her own opinion, so the editor simply didn’t favor your particular style. Someone else out there probably appreciates your style of writing. Perhaps your submission was received past their deadline. Big deal. Send it somewhere else! Remember, though, writing can always be improved.

Now that you’ve read this, let me tell you something. This is everything my writer-friend learned from the writing course. Seems simple, eh? And, what’s even better, unlike my friend, you didn’t have to pay a course fee!

This mission doesn’t seem so impossible now, does it?

Grab the goals of getting published, the guidance I just gave, the persistence with mass mailings and get yourself published.

Good luck with your publishing endeavors!

About The Author

Stephen Jordan, a medical editor, has five years experience within the educational publishing industry. Stephen was a freelance editor with such educational foundations as Princeton Review, The College Board, New York University, and Columbia University. Away from the office, Stephen promotes his creative writing with his home-freelance business OutStretch Publications and his artwork. Stephen holds two Bachelor of Arts degrees in writing and literature from Alderson-Broaddus College of Philippi, West Virginia.
Editor@OutStretch.net

This article was posted on January 05, 2004

 



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Creative Writing Tips - Have You Established Your Main Character At The Start?
 by: Nick Vernon

In the beginning of your story you have to grab your readers’ interest and sustain it till the end. Our hook is our character. Readers keep on reading to find out more about the character. To see what he’ll do in the story; how he’ll solve his problems. What his goals are and whether he’ll achieve them.

And because our character is the reason readers become hooked on our stories, establishing him at the start is a must in a short story. And it is essential to establish him at the start because we don’t have the capacity in our limited word length to introduce him at our leisure.

The bond between readers and character has to be developed almost immediately.

You might have a few characters though. How do you decide who your main character will be? A main character is one that drives the story.

Think of it this way… If we were to take him away, there will be no story because it’s his story we are telling. The story will unfold by what is happening or what has happened to him.

When you establish who your main character will be, the next thing to do is to find which of your characters is in the best position to tell the story. Will your main character tell his story or will you give that role to another character?

This is what we call Viewpoint and what we’ll see in more detail in proceeding chapters.

Your main character isn’t necessarily the one who is telling the story; he might not even appear in our story ‘physically’ but will be there through the thoughts of others. So the viewpoint character might be a secondary character.

Whoever is telling the story is the viewpoint character.

The viewpoint character gives the coloring of the story. Whatever this characters says, we will believe. It may or may not be true, according to the main character, but because he isn’t there ‘physically’ to voice his opinions, we will have to take the viewpoint character’s word for it.

In a novel you can play around with viewpoint. You can have several viewpoint characters. In a short story it works best with one.

So your main character, whether he’ll be telling his own story or someone else will be doing it for him, has to be established at the start of your story.

Having said that, let’s see the reasons why the main character may not be telling his own story...

  • Perhaps our main character is one that readers won’t sympathize or empathize with.
  • Or the main character will not view highly with our readers
  • Or the viewpoint character knows all the facts and can tell the story better
  • Etc.

~~~~~~~~~~~~~

Let me give you an example of a secondary character telling the story of a main character…

Let’s say your secondary character is a psychiatrist and the main character is the patient. Depending on what’s going to go on in the story, we’ll have to choose who’s in a better position to tell it. In this case, I will choose the psychiatrist.

I’ve done this because the patient is confused, being the one with the problems. The psychiatrist knows all the facts and his opinions will make things clearer to readers.

So, as the secondary character (the psychiatrist) unravels the story, we’ll become involved in the main character because it’s the main character’s story that is been told.

This may get a little confusing to the beginner writer. As they write they will have to keep in mind that the secondary character, although he’s telling the story, is NOT our main character.

The secondary character is there to do perform a task. He’s only the voice. It’s the main character we’ll become involved with.

A secondary character doesn’t play such an important role as a main character does. Therefore, information about secondary characters should be kept to a minimum. It’s not his story – it’s the main character’s story and the spotlight must, most times, be kept on the main character.

Take the above example for instance. It’s no relevance to the story how the psychiatrist started his career or where he received his diploma – what’s important, is what he has to say about the main character, his patient.

~~~~~~~~~~~~~~

Introduce your main character straight away, as close to the beginning of the story that’s possible. Enable your readers to form a bond and that will keep them hooked.

Is your main character established at the start of your story?



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