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How to Jumpstart your Next Writing Session
by: David Parton

I have always enjoyed writing. Sometimes it’s a problem for me to just sit down and write something. There are days when I choose “procrastinating” over “proactive.” Putting things off is common with everyone. I am very gifted in this area. ;)

Here are 4 areas to focus on to jumpstart your next writing session.

  • Concentration
  • Preparation
  • The First Word
  • Use your notebook

Concentration:

There are way too many distractions. Cell phones ringing, blaring car alarms and unexpected visitors are just a few things that can disrupt your concentration. It then becomes easier to justify not writing today.

The best thing to do to encourage creative writing is to make it a ritual. Find a nice spot to write, maybe, in a quiet room in your home where you will be left undisturbed for a period of time. Set a time to work; a scheduled time to write. Stick to it.

Keep reference books and materials close to hand.

Focus on one idea at a time.

View your next writing session as an opportunity; an opportunity to do something you enjoy. It can be fun. And when you are having fun nobody ever has to tell you to “concentrate!”

Preparation

Once you have your topic: Google it. Read everything you can online and offline related to your idea. Search the net for testimonials, reviews and articles about your topic. Brainstorm related sub-topics.

Give it a rest. Let your subconscious mind percolate and play with the information you provided. Get some exercise. Some of my best ideas come to me while I am out walking around in the evening.

Getting Started

Where to begin? That blank page staring back can be intimidating.

Just dive right in there!

Type the word “The.”

Type the next word (the first thing that pops into your mind) and the next word.

At this point, quality is not important. You just want to create a “flow” where the words come easily.

Don’t stop to edit. Save all your corrections for the second draft. Resist the impulse to rewrite. That will only interrupt the flow and is another way to avoid the task at hand.

If you are like me you will have a 2nd, third and fourth draft. You have to get your first draft completed before your have anything to rewrite! Stay focused.

Carry a Notebook

As a creative writer, you will be “hit” by odd ideas and notions in the oddest of places.

Maybe you are stuck in traffic or brushing your teeth when inspiration strikes.

You could wake from a dream and have a killer idea.

“ I’ll remember that.” We say to ourselves, but when next we write there is no access to that memory file.

Just use a notebook. Jot those things down as they come to you. It only takes a moment.

Capture all your of your ideas as they transpire. Who knows? One of them may be the “Next Big Thing!”

- David Parton

About The Author

David Parton
Now You can Expand your Opportunities with FREE Tips & Resources about Affiliate Marketing, Making Money from Home, Website Development & Self-improvement for Both Sides of Your Brain! Discover... http://ExpandingMind.com

david@expandingmind.com

This article was posted on January 06, 2005

 



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Creative Writing Tips - Have You Established Your Main Character At The Start?
 by: Nick Vernon

In the beginning of your story you have to grab your readers’ interest and sustain it till the end. Our hook is our character. Readers keep on reading to find out more about the character. To see what he’ll do in the story; how he’ll solve his problems. What his goals are and whether he’ll achieve them.

And because our character is the reason readers become hooked on our stories, establishing him at the start is a must in a short story. And it is essential to establish him at the start because we don’t have the capacity in our limited word length to introduce him at our leisure.

The bond between readers and character has to be developed almost immediately.

You might have a few characters though. How do you decide who your main character will be? A main character is one that drives the story.

Think of it this way… If we were to take him away, there will be no story because it’s his story we are telling. The story will unfold by what is happening or what has happened to him.

When you establish who your main character will be, the next thing to do is to find which of your characters is in the best position to tell the story. Will your main character tell his story or will you give that role to another character?

This is what we call Viewpoint and what we’ll see in more detail in proceeding chapters.

Your main character isn’t necessarily the one who is telling the story; he might not even appear in our story ‘physically’ but will be there through the thoughts of others. So the viewpoint character might be a secondary character.

Whoever is telling the story is the viewpoint character.

The viewpoint character gives the coloring of the story. Whatever this characters says, we will believe. It may or may not be true, according to the main character, but because he isn’t there ‘physically’ to voice his opinions, we will have to take the viewpoint character’s word for it.

In a novel you can play around with viewpoint. You can have several viewpoint characters. In a short story it works best with one.

So your main character, whether he’ll be telling his own story or someone else will be doing it for him, has to be established at the start of your story.

Having said that, let’s see the reasons why the main character may not be telling his own story...

  • Perhaps our main character is one that readers won’t sympathize or empathize with.
  • Or the main character will not view highly with our readers
  • Or the viewpoint character knows all the facts and can tell the story better
  • Etc.

~~~~~~~~~~~~~

Let me give you an example of a secondary character telling the story of a main character…

Let’s say your secondary character is a psychiatrist and the main character is the patient. Depending on what’s going to go on in the story, we’ll have to choose who’s in a better position to tell it. In this case, I will choose the psychiatrist.

I’ve done this because the patient is confused, being the one with the problems. The psychiatrist knows all the facts and his opinions will make things clearer to readers.

So, as the secondary character (the psychiatrist) unravels the story, we’ll become involved in the main character because it’s the main character’s story that is been told.

This may get a little confusing to the beginner writer. As they write they will have to keep in mind that the secondary character, although he’s telling the story, is NOT our main character.

The secondary character is there to do perform a task. He’s only the voice. It’s the main character we’ll become involved with.

A secondary character doesn’t play such an important role as a main character does. Therefore, information about secondary characters should be kept to a minimum. It’s not his story – it’s the main character’s story and the spotlight must, most times, be kept on the main character.

Take the above example for instance. It’s no relevance to the story how the psychiatrist started his career or where he received his diploma – what’s important, is what he has to say about the main character, his patient.

~~~~~~~~~~~~~~

Introduce your main character straight away, as close to the beginning of the story that’s possible. Enable your readers to form a bond and that will keep them hooked.

Is your main character established at the start of your story?



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