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Article Writing: How To Use Your Chakra Energy To Write
by: Ron Passfield

The seven Chakras are the hidden energy centres in your body through which you receive, process and transmit life energies. They act as "energy transformers" and influencers of change.

Your thoughts, emotions or actions can either block or activate these hidden energy centres. In this article, I address ways to activate each of the Chakras to improve your article writing.

1. Base Chakra – the energy of existence

This energy source is associated with survival, self-preservation and security. The major blockages to activating the Base Chakra are "self-sabotage" or self-talk that is full of self-doubt. The real tragedy is that, unless you can manage these self-doubts, you cut yourself off from the other six sources of energy.

You can activate the Base Chakra by: * Confronting your doubts as self-sabotage and challenging them * Visualising your completed article and the sense of achievement you will experience with publication * Sharing your concerns with others who have been successful in article writing * Listening to your body and learning to release any tensions associated with article writing

2. Naval Chakra – the energy of activity

This source of energy is experienced as "excitement" and is associated with doing, movement, creativity and achievement. The major blockage to this energy source is inactivity brought on by procrastination and self-doubt.

You can activate the Naval Chakra by: * Checking out online forums and article directories for potential topics of interest to readers * Making notes on an article topic * Aiming for a rough first draft (do not let your perfectionist streak intervene!) * Trying "speed writing" - write what comes to mind without concern for grammar, sentence structure or spelling (helps to thwart perfectionism) * Taping your ideas - try using an audio tape to get ideas down

3. Solar Plexus Chakra – the energy of control

This energy is experienced as “clarity” and is associated with your sense of personal power and self control. The major blockage to this energy source is a lack of order through the absence of planning. You can tap into the energy of control by creating order, structure, form or guidance.

You can activate the Solar Plexus Chakra by: * Capturing potential article topics in a document or Excel file * Matching your task to your energy level – if you are a “morning person” do your creative writing in the morning and your related routine tasks at night * Capturing ideas on how to write articles and creating your own set of guidelines * Setting up documents on your computer with article headings and doing occasional “brain dumps” * Building your own list of preferred article directories for submission of articles (include submission URL and key requirements, eg. word length, format) * Establishing output targets and a routine for article writing

4. The Heart Chakra – the energy of community

This energy is experienced as “connection” - brought about by your relationships with others and by engaging them in collaborative activity. The major blockage to this energy source is “isolation” – cutting yourself off from supportive relationships.

You can engage the Heart Chakra by: * Participating in discussion forums focused on article writing * Developing a “learning partnership” with one other person for your mutual benefit * Connecting to other people through workshops and teleconferences * Sharing your article ideas with a “significant other” – your life partner, for example * Taking time out to be with your friends * Joining an action learning group devoted to article writing

5. The Throat Chakra – the energy of meaning

This energy is experienced as expression and is associated with metaphors, communication and beliefs. The blocks to this form of energy are unclear thinking and a lack of focus.

You can engage your Throat Chakra by: * Journaling to capture your thoughts and reflections * Drawing diagrams and flowcharts to clarify what you are trying to say in your writing * Developing concept maps to clarify the relationships amongst activities, ideas & principles * Using metaphors to create new perspectives and meanings

6. The Third Eye Chakra – the energy of integration

This energy is experienced as intuition and is associated with left and right brain, integration of male and female, wisdom and holistic approaches. One of the major blocks to this form of energy is “busyness” – incessant activity with no time for reflection.

You can engage your Third Eye Chakra by: * Undertaking creative activity – e.g. painting, drawing or writing poetry * Being still – getting in touch with nature and your own body * Taking a walk – physical activity provides a good balance for sitting and writing * Clearing the clutter from your desk and your life – a cluttered workspace can clutter your mind

7. The Crown Chakra – the energy of Spirit

This energy is experienced as transcendence and is associated with higher purpose, vision and higher consciousness. The major block to this energy is an obsession with Materialism.

You can embrace the Crown Chakra by: * Meditating – this helps you get in touch with your higher consciousness * Singing – helps you to find your deeper self * Revisiting your spiritual origins – this may be through prayer or participation in religious activities

The Chakras are interconnected and interdependent. They embrace the whole person – the irrational and rational, the intuitive and emotional, the pragmatic and the aesthetic and the material and spiritual.

You can activate your Chakras to improve your article writing and your daily living.

Copyright 2005 Ron Passfield

About The Author

This article is written by Ron Passfield, PhD, affiliate marketing coach, who is developing his affiliate business through the step-by-step coaching offered by the Affiliate Classroom: http://www.affiliate-marketing-coach.blogspot.com/.

Subscribe to Ron’s weekly “Emarkting Strategies” ezine and receive a bonus gift: http://www.emarktingstrategies.blogspot.com/.

This article was posted on December 05, 2005

 



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Creative Writing Tips - Have You Established Your Main Character At The Start?
 by: Nick Vernon

In the beginning of your story you have to grab your readers’ interest and sustain it till the end. Our hook is our character. Readers keep on reading to find out more about the character. To see what he’ll do in the story; how he’ll solve his problems. What his goals are and whether he’ll achieve them.

And because our character is the reason readers become hooked on our stories, establishing him at the start is a must in a short story. And it is essential to establish him at the start because we don’t have the capacity in our limited word length to introduce him at our leisure.

The bond between readers and character has to be developed almost immediately.

You might have a few characters though. How do you decide who your main character will be? A main character is one that drives the story.

Think of it this way… If we were to take him away, there will be no story because it’s his story we are telling. The story will unfold by what is happening or what has happened to him.

When you establish who your main character will be, the next thing to do is to find which of your characters is in the best position to tell the story. Will your main character tell his story or will you give that role to another character?

This is what we call Viewpoint and what we’ll see in more detail in proceeding chapters.

Your main character isn’t necessarily the one who is telling the story; he might not even appear in our story ‘physically’ but will be there through the thoughts of others. So the viewpoint character might be a secondary character.

Whoever is telling the story is the viewpoint character.

The viewpoint character gives the coloring of the story. Whatever this characters says, we will believe. It may or may not be true, according to the main character, but because he isn’t there ‘physically’ to voice his opinions, we will have to take the viewpoint character’s word for it.

In a novel you can play around with viewpoint. You can have several viewpoint characters. In a short story it works best with one.

So your main character, whether he’ll be telling his own story or someone else will be doing it for him, has to be established at the start of your story.

Having said that, let’s see the reasons why the main character may not be telling his own story...

  • Perhaps our main character is one that readers won’t sympathize or empathize with.
  • Or the main character will not view highly with our readers
  • Or the viewpoint character knows all the facts and can tell the story better
  • Etc.

~~~~~~~~~~~~~

Let me give you an example of a secondary character telling the story of a main character…

Let’s say your secondary character is a psychiatrist and the main character is the patient. Depending on what’s going to go on in the story, we’ll have to choose who’s in a better position to tell it. In this case, I will choose the psychiatrist.

I’ve done this because the patient is confused, being the one with the problems. The psychiatrist knows all the facts and his opinions will make things clearer to readers.

So, as the secondary character (the psychiatrist) unravels the story, we’ll become involved in the main character because it’s the main character’s story that is been told.

This may get a little confusing to the beginner writer. As they write they will have to keep in mind that the secondary character, although he’s telling the story, is NOT our main character.

The secondary character is there to do perform a task. He’s only the voice. It’s the main character we’ll become involved with.

A secondary character doesn’t play such an important role as a main character does. Therefore, information about secondary characters should be kept to a minimum. It’s not his story – it’s the main character’s story and the spotlight must, most times, be kept on the main character.

Take the above example for instance. It’s no relevance to the story how the psychiatrist started his career or where he received his diploma – what’s important, is what he has to say about the main character, his patient.

~~~~~~~~~~~~~~

Introduce your main character straight away, as close to the beginning of the story that’s possible. Enable your readers to form a bond and that will keep them hooked.

Is your main character established at the start of your story?



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