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Santa Claus: The True Story
by: Arun Tibrewal
I remember my first Christmas party with Grandma. I was just a kid. I remember tearing across town on my bike to visit her on the day my big sister dropped the bomb: "There is no Santa Claus," she jeered. "Even dummies know that!" My grandma was not the gushy kind, never had been. I fled to her that day because I knew she would be straight with me. I knew Grandma always told the truth, and I knew that the truth always went down a whole lot easier when swallowed with one of her world-famous cinnamon buns. Grandma was home, and the buns were still warm. Between bites, I told her everything. She was ready for me. "No Santa Claus!" she snorted. "Ridiculous! Don't believe it. That rumor has been going around for years, and it makes me mad, plain mad. Now, put on your coat, and let's go."

"Go? Go where, Grandma?" I asked. I hadn't even finished my second cinnamon bun. "Where" turned out to be Kerby's General Store, the one store in town that had a little bit of just about everything. As we walked through its doors, Grandma handed me ten dollars. That was a bundle in those days. “Take this money," she said, "and buy something for someone who needs it. I'll wait for you in the car." Then she turned and walked out of Kerby's. I was only eight years old. I'd often gone shopping with my mother, but
never had I shopped for anything all by myself. The store seemed big and crowded, full of people scrambling to finish their Christmas shopping. For a few moments I just stood there, confused, clutching that ten-dollar bill, wondering what to buy, and who on earth to buy it for.

I thought of everybody I knew: my family, my friends, my neighbors, the kids at school, the people who went to my church. I was just about thought out, when I suddenly thought of Bobbie Decker. He was a kid with bad breath and messy hair, and he sat right behind me in Mrs. Pollock's grade-two class.

Bobbie Decker didn't have a coat. I knew that because he never went out for recess during the winter. His mother always wrote a note, telling the teacher that he had a cough, but all we kids knew that Bobbie Decker didn't have a cough, and he didn't have a coat. I fingered the ten-dollar bill with growing excitement. I would buy Bobbie Decker a coat.

I settled on a red corduroy one that had a hood to it. It looked real warm, and he would like that. "Is this a Christmas present for someone?" the lady behind the counter asked kindly, as I laid my ten dollars down.

"Yes," I replied shyly. "It's ... for Bobbie." The nice lady smiled at me. I didn't get any change, but she put the coat in a bag and wished me a Merry Christmas. That evening, Grandma helped me wrap the coat in Christmas paper and ribbons, and write, "To Bobbie, From Santa Claus" on it -- Grandma said that Santa always insisted on secrecy. Then she drove me over to Bobbie Decker's house, explaining as we went that I was now and forever officially one of Santa's helpers.

Grandma parked down the street from Bobbie's house, and she and I crept noiselessly and hid in the bushes by his front walk. Then Grandma gave me a nudge. "All right, Santa Claus," she whispered, "get going." I took a deep breath, dashed for his front door, threw the present down on his step, pounded his doorbell and flew back to the safety of the bushes and Grandma. Together we waited breathlessly in the darkness for the front door to open. Finally it did, and there stood Bobbie.

Forty years haven't dimmed the thrill of those moments spent shivering, beside my grandma, in Bobbie Decker's bushes. That night, I realized that those awful rumors about Santa Claus were just what Grandma said they were: ridiculous. Santa was alive and well, and we were on his team.

About the author:
Modern sage is an online magagine in USA and publish articles about living a healthy lifestyle.Arun Tibrewal is an online marketing promotions specialist since 1998 and working as Team Modernsage.
http://www.modernsage.comOnline Magazine http://www.arun.infoHonest Online Marketing Guide


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Music for the Christmas Holidays
 by: Tony Wiseman

In our multi-cultural societies today the run up to Christmas is experienced in many different ways. The commercial version pioneered by Coca Cola's magazine advertisements which established the red suited Santa Claus image, washes over us all through the TV advertisements and the decorations in the High Streets and shopping Malls. They built on and reinforced the Victorian version of Christmas celebrations which was dramatised by Charles Dickens in 'A Christmas Carol' which established many of the associated food and garland rituals in the public imagination - and helped Coca Cola promote their winter beverage sales. Much of this is accompanied by 'seasonal' music in the form of carols and hymns - often coral arrangements but sometimes instrumental - especially brass bands and the dreaded sentimental Christmas pop songs.

Music is often a subtle way of getting under the radar and evoking emotional responses from our subconscious. The commercial focus on Christmas seeks to convert these feelings into purchases - sometimes in crude direct appeals to consume but often in a more indirect atmospheric ways. While the committed Christians concentrate on re-telling the Christmas story through as many media as possible, including music - using the Advent season to recharge their spiritual batteries and encourage others to join them. Their tunes and some times even the words are often hijacked by those who wish to evoke a warm hearted relaxed atmosphere for the sale of their particular goods.

Much of this activity assumes a common Christian heritage and must strike those who do not share that background very oddly, not to mention the truly seasonal issues for those in the Southern Hemisphere who celebrate Christmas in mid summer rather than the deep mid winter. There is also the rival celebration of New Year which is a predominantly secular affair with a very limited musical repertoire - mostly of Scottish origin for some reason and this eclipses Christmas in many countries. Christians adopted the pagan Winter Solstice celebrations as part of their missionary progress but those ties were loosened by the reformation and the French, American and Russian Revolutions amongst others.

The seasonal hit at Download2MP3.com is Tchaikovsky's Nutcracker Suite with its Sugar Plum Fairy which fits neatly into the Victorian Christmas story telling context. While Debussy's Children's Corner with it's 'The Snow is Dancing' (Northern Hemisphere Christmas/Mid Winter associations) is another favourite and forms the backbone of our Children's Classics Collection which includes several of our shorter and lower priced recordings. Other beneficaiaries include our instrumental versions of the Hallelujah Chorus from Handel's Messiah and Gounod's Ave Maria

Recordings like these are an ideal way to personalize those iPod or MP3 player gifts for a few dollars more - perhaps introducing children to the classics in an accessible, amusing and memorable way.



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